1.
Turner, Jane. The dictionary of art. (Grove, 1996).
2.
Arnold, Dana. Art history: a very short introduction. (Oxford University Press, 2004).
3.
Gombrich, E H. The story of art. (Phaidon Press, 1966).
4.
Bell, Julian. Mirror of the world: a new history of art. (Thames & Hudson, 2007).
5.
Harrison, Charles. An introduction to art. (Yale University Press, 2009).
6.
Honour, Hugh & Fleming, John. A world history of art. (Laurence King, 2005).
7.
Pooke, Grant & Newall, Diana. Art history: the basics. (Routledge, 2008).
8.
Pooke, Grant & Newall, Diana. Fifty key texts in art history. vol. Routledge key guides (Routledge, 2012).
9.
Critical terms for art history. (University of Chicago Press, 2003).
10.
Gage, John. Colour in art. vol. World of art (Thames & Hudson, 2006).
11.
Clark, Kenneth. The nude: a study of ideal art. (J. Murray, 1956).
12.
Barker, Emma, Webb, Nick, Woods, Kim, & Open University. The changing status of the artist. vol. Art and its histories (Yale University Press in association with the Open University, 1999).
13.
Harrison, Charles, Wood, Paul, & Gaiger, Jason. Art in theory, 1648-1815: an anthology of changing ideas. (Blackwell Publishers, 2000).
14.
Harrison, Charles, Wood, Paul, & Gaiger, Jason. Art in theory, 1815-1900: an anthology of changing ideas. (Blackwell, 1998).
15.
Harrison, Charles & Wood, Paul. Art in theory, 1900-2000: an anthology of changing ideas. (Blackwell Publishers, 2003).
16.
Woods, Kim W. Art & Visual Culture 1000 - 1600: Medieval to Renaissance. (Tate Publishing, 2012).
17.
Open University. Art & visual culture, 1600-1850: academy to avant-garde. (Tate Publishing in association with The Open University, 2012).
18.
Open University. Art & visual culture, 1850-2010: modernity to globalisation. (Tate Publishing in association with The Open University, 2012).
19.
Tate Britain | Tate. http://www.tate.org.uk/visit/tate-britain.
20.
The Metropolitan Museum of Art - Collections. http://www.metmuseum.org/collections.
21.
The National Gallery, London: Western European painting 1250–1900. http://www.nationalgallery.org.uk/.
22.
Beard, Mary & Henderson, John. Chapter 2: Moving Statues. in Classical art: from Greece to Rome vol. Oxford history of art (Oxford University Press, 2001).
23.
Fernie, E. C. Art history and its methods: a critical anthology. (Phaidon, 1995).
24.
Pooke, Grant & Newall, Diana. Chapter of Fifty key texts in art history: Jon Kear’s commentary.on Wolfflin,. in Fifty key texts in art history vol. Routledge key guides 73–77 (Routledge, 2012).
25.
Curtis, Penelope, Feeke, Stephen, & Henry Moore Institute (Leeds, England). Towards a new Laocoon. (Henry Moore Institute, 2007).
26.
Haskell, Francis & Penny, Nicholas. Taste and the antique: the lure of classical sculpture, 1500-1900. (Yale University Press, 1981).
27.
Murray, Chris. Key writers on art: from antiquity to the nineteenth century. vol. Routledge key guides (Routledge, 2003).
28.
Perry, Gillian, Cunningham, Colin, & Open University. The Parthenon Marbles, Chapter. in Academies, museums, and canons of art vol. Art and its histories 43–83 (Yale University Press in association with the Open University, 1999).
29.
Potts, Alex. Flesh and the Ideal: Winckelmann and the origins of art history. (Yale University Press, 1994).
30.
Gombrich, E H. The story of art. (Phaidon Press, 1966).
31.
Clark, Kenneth. The nude: a study of ideal art. (J. Murray, 1956).
32.
Benton, Janetta Rebold. Book. Art of the Middle Ages vol. World of art (Thames & Hudson, 2002).
33.
Michael, M. A. & Strobl, Sebastian. Stained glass of Canterbury Cathedral. (Scala, 2004).
34.
Collinson, Patrick, Ramsay, Nigel, & Sparks, Margaret. Wilson, ‘The Medieval Monuments,’ Chapter. in A history of Canterbury Cathedral 451–510 (Clarendon Press, 1995).
35.
Brown, Michelle & British Library. The Holkham Bible picture book: a facsimile. (British Library, 2007).
36.
Brown, Michelle & British Library. The Holkham Bible picture book: a facsimile. (British Library, 2007).
37.
Alexander, J. J. G., L’Engle, Susan, & Guest, Gerald B. Smith, ‘Accident, play, and invention: three infancy miracles in the Holkham Bible picture book’, Chapter. in Tributes to Jonathan J.G. Alexander: the making and meaning of illuminated medieval & Renaissance manuscripts, art & architecture (Harvey Miller Publishers, 2006).
38.
Hassall, William Owen. The Holkham Bible picture book. (Dropmore Press, 1954).
39.
Lasko, Peter, Buckton, David, & Heslop, T. A. Kauffmann, C.M. ‘Art and Popular Culture: New Themes in the Holkham Bible Picture Book.’ Chapter. in Studies in medieval art and architecture: presented to Peter Lasko 46–69 (Alan Sutton, 1994).
40.
Ayers, Tim. The history of British art, 600-1600. (Tate Publishing, 2008).
41.
Benton, Janetta Rebold. Art of the Middle Ages. vol. World of art (Thames & Hudson, 2002).
42.
De Hamel, Christopher F. R. Scribes and illuminators. vol. Medieval craftsmen (British Museum Press, 1992).
43.
Sekules, Veronica. Medieval art. vol. Oxford history of art (Oxford University Press, 2001).
44.
Saul, Nigel. Nigel Saul, `Forget-Me-Nots’: Patronage in Gothic England,’. in Age of chivalry: art and society in late medieval England vol. A History today book 36–47 (Collins & Brown, 1992).
45.
Lamia, Stephen & Valdez del Alamo, Elizabeth. Lamia, ‘The Cross and the Crown, the Tomb and the Shrine: Decoration and accommodation for England’s Premier Saints,’ Chapter of Decorations for the Holy Dead. in Decorations for the holy dead: visual embellishments on tombs and shrines of saints vol. International medieval research 39–56 (Brepols, 2002).
46.
Coldstream, Nicola. Medieval architecture. vol. Oxford history of art (Oxford University Press, 2002).
47.
Norman, Diana. Chapter. in Siena, Florence and Padua: art, society, and religion 1280-1400 145–168 (Yale University Press in association with the Open University, 1995).
48.
Nicolai Rubinstein. Political Ideas in Sienese Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo Pubblico. Journal of the Warburg and Courtauld Institutes 21, (1958).
49.
Woods, Kim. Making Renaissance art. vol. Renaissance art reconsidered (Yale University Press, in association with Open University, 2006).
50.
Richardson, Carol M. Locating Renaissance art. vol. Renaissance art reconsidered (Yale University Press, 2007).
51.
Woods, Kim, Richardson, Carol M., & Lymberopoulou, Angeliki. Viewing Renaissance art. vol. Renaissance art reconsidered (Yale University Press, in association with the Open University, 2007).
52.
Welch, Evelyn S. Art in Renaissance Italy, 1350-1500. vol. Oxford history of art (Oxford University Press, 2000).
53.
White, John. Art and architecture in Italy 1250-1400. vol. Pelican history of art (Yale University Press, 1993).
54.
Borsook, Eve. The mural painters of Tuscany: from Cimabue to Andrea del Sarto. vol. Oxford studies in the history of art and architecture (Clarendon Press, 1980).
55.
Kempers, Bram. Painting, power, and patronage: the rise of the professional artist in the Italian Renaissance. vol. Penguin art and architecture (Penguin, 1994).
56.
Rowley, George. Ambrogio Lorenzetti. With plates (Princeton Monograph in Art and Archaeology. no. 32. (Princetown University Press, 1958).
57.
Skinner, Quentin. Pages 1-56. in L’artiste en philosophe politique: Ambrogio Lorenzetti et le Bon gouvernement vol. Cours et travaux (Raisons d’agir, 2003).
58.
Joseph Polzer. Ambrogio Lorenzetti’s ‘War and Peace’ Murals Revisited: Contributions to the Meaning of the ‘Good Government Allegory’. Artibus et Historiae 23, (2002).
59.
Quentin Skinner. Ambrogio Lorenzetti’s Buon Governo Frescoes: Two Old Questions, Two New Answers. Journal of the Warburg and Courtauld Institutes 62, (1999).
60.
Starn, R. & Partridge, L. Chapter. in Arts of Power: Three Halls of State in Italy, 1300-1600 11–80 (1992).
61.
Campbell, Lorne. Renaissance portraits: European portrait-painting in the 14th, 15th, and 16th centuries. (Yale University Press, 1990).
62.
Hall, Edwin. The Arnolfini betrothal: medieval marriage and the enigma of Van Eyck’s double portrait. vol. California studies in the history of art (University of California Press, 1994).
63.
Harbison, Craig. Jan van Eyck: the play of realism. (Reaktion Books, 1991).
64.
Hall, Edwin. The Arnolfini betrothal: medieval marriage and the enigma of Van Eyck’s double portrait. vol. California studies in the history of art (University of California Press, 1994).
65.
Craig Harbison. Sexuality and Social Standing in Jan van Eyck’s Arnolfini Double Portrait. Renaissance Quarterly 43, (1990).
66.
Hicks, Carola & Hicks, Carola. Girl in a green gown: the history and mystery of the Arnolfini portrait. (Vintage, 2012).
67.
Melchior-Bonnet, Sabine. The mirror: a history. (Routledge, 2001).
68.
Nash, Susie. Northern Renaissance art. vol. Oxford history of art (Oxford University Press, 2008).
69.
West, Shearer. Portraiture. vol. Oxford history of art (Oxford University Press, 2004).
70.
Ovid & Tarrant, R. J. Metamorphoses. vol. Scriptorum classicorum Bibliotheca Oxoniensis = Oxford classical texts (e typographeo Clarendoniano, 2004).
71.
Hope, Charles, Jaffé, David, & National Gallery (Great Britain). Titian. (National Gallery, 2003).
72.
Humfrey, Peter & Titian. Titian. (Phaidon, 2007).
73.
Puttfarken, Thomas. Titian & tragic painting: Aristotle’s poetics and the rise of the modern artist. (Yale University Press, 2005).
74.
Meilman, Patricia. The Cambridge companion to Titian. vol. Cambridge companions to the history of art (Cambridge University Press, 2004).
75.
Ferino Pagden, S., Nepi Sciré, G., Titian, Kunsthistorisches Museum Wien, & Gallerie dell’Accademia di Venezia. Late Titian and the sensuality of painting. (Marsilio, 2008).
76.
Hills, Paul. Venetian colour: marble, mosaic, and glass, 1250-1550. (Yale University Press, 1999).
77.
Wilde, Johannes. Venetian art from Bellini to Titian. vol. Oxford studies in the history of art and architecture (Clarendon Press, 1974).
78.
Bull, Malcolm. The mirror of the gods: classical mythology in Renaissance art. (Penguin, 2006).
79.
Boucher, B. Italian Baroque sculpture. vol. World of art (Thames and Hudson, 1998).
80.
Warwick, G. Bernini: art as theatre. (Yale University Press, 2012).
81.
Petersson, R. T. The art of ecstasy: Teresa, Bernini, and Crashaw. (Routledge & Kegan Paul, 1970).
82.
Avery, C. & Finn, D. Bernini: genius of the Baroque. (Thames and Hudson, 1997).
83.
Kitson, M. The age of baroque. (Hamlyn, 1966).
84.
Snodin, M., Llewellyn, N., Norman, J. S., & Victoria and Albert Museum. Baroque, 1620-1800: style in the age of magnificence. (V&A Publishing, 2009).
85.
Eisenman, Stephen F. & Crow, Thomas E. Nineteenth century art: a critical history. (Thames & Hudson, 2007).
86.
Herbert, Robert L. David, Voltaire, Brutus and the French Revolution, an essay in art and politics. (The Viking Press, 1973).
87.
Crow, Thomas E. & Getty Research Institute. Emulation: David, Drouais, and Girodet in the art of revolutionary France. (Yale University Press, 2006).
88.
Germer, Stefan. FROM THE THEATRICAL TO THE AESTHETIC HERO: ON THE PRIVATIZATION OF THE IDEA OF VIRTUE IN DAVID’S BRUTUS AND SABINES. FROM THE THEATRICAL TO THE AESTHETIC HERO: ON THE PRIVATIZATION OF THE IDEA OF VIRTUE IN DAVID’S BRUTUS AND SABINES. 9,.
89.
Roberts, Warren. Jacques-Louis David, revolutionary artist: art, politics and the French Revolution. (University of North Carolina Press, 1989).
90.
Lee, Simon & Lee, Simon. David. vol. Art&ideas (Phaidon Press, 1999).
91.
David, J. L. Jacques-Louis David: new perspectives. (University of Delaware Press, 2006).
92.
Barker, Emma & Open University. Art & visual culture, 1600-1850: academy to avant-garde.
93.
Honour, Hugh. Neo-classicism. vol. Style and civilization (Penguin, 1968).
94.
Irwin, David. Neoclassicism. vol. Art&ideas (Phaidon, 1997).
95.
Crow, Thomas. Painters and public life in eighteenth-century Paris. (Yale U.P., 1985).
96.
Harrison, Charles, Wood, Paul, & Gaiger, Jason. Constable letters to Fisher 1821-4, Chapter. in Art in theory, 1815-1900: an anthology of changing ideas 117–117 (Blackwell, 1998).
97.
Harrison, Charles, Wood, Paul, & Gaiger, Jason. Introduction to English Landscape, Chapter. in Art in theory, 1815-1900: an anthology of changing ideas 127–127 (Blackwell, 1998).
98.
Fleming-Williams, I. The discovery of Constable. (H. Hamilton, 1984).
99.
VAUGHAN, W. Constable’s Englishness. Oxford Art Journal 19, 17–27 (1996).
100.
Leslie, C R. Memoirs of the Life of John Constable. (Kessinger Publishing, 2006).
101.
Lyles, Anne, Cove, Sarah, Tate Britain (Gallery), & National Gallery of Art (U.S.). Constable: the great landscapes. (Tate Publishing, 2006).
102.
Parkinson, R., Constable, J., & Victoria and Albert Museum. John Constable: the man and his art. (Victoria & Albert Museum, 1998).
103.
Rhyne, C. John Constable: The Man and His Art, Chapter of Constable. in Constable: the great landscapes (Tate Publishing, 2006).
104.
Rosenthal, Michael. Constable. vol. World of art (Thames and Hudson, 1987).
105.
Rosenthal, M. Constable: the painter and his landscape. (Yale U.P., 1983).
106.
Vaughan, William & Constable, John. John Constable. vol. British artists (Tate Publishing, 2002).
107.
Wilcox, Timothy. Constable and Salisbury: the soul of landscape. (Scala, 2011).
108.
A companion to British art: 1600 to the present. vol. Wiley-Blackwell companions to art history (Wiley-Blackwell, 2013).
109.
Samuel, Raphael. Patriotism:the making and unmaking of British national identity. (Routledge, 1989).
110.
Gombrich, E. H. Art and illusion: a study in the psychology of pictorial representation. (Phaidon, 2002).
111.
Barker, Emma & Open University. Art & visual culture, 1600-1850: academy to avant-garde.
112.
Honour, Hugh. Romanticism. vol. Icon editions (Harper & Row, 1979).
113.
Brown, David Blayney. Romanticism. vol. Art&Ideas (Phaidon, 2001).
114.
Vaughan, William. Romanticism and art. vol. World of art (Thames and Hudson) (Thames and Hudson, 1994).
115.
Ferber, Michael. Romanticism: a very short introduction. vol. Very short introductions (Oxford University Press, 2010).
116.
Gombrich, Ernst Hans Josef. Norm and form. vol. Studies in the art of the Renaissance (Phaidon, 1978).
117.
Andrews, Malcolm. Landscape and western art. vol. Oxford history of art (Oxford University Press, 1999).
118.
Slive, Seymour, Ruisdael, Jacob van, Los Angeles County Museum of Art, Philadelphia Museum of Art, & Royal Academy of Arts (Great Britain). Jacob van Ruisdael: master of landscape. (Royal Academy of Arts, 2005).
119.
Open University. Art & visual culture, 1850-2010: modernity to globalisation. (Tate Publishing in association with The Open University, 2012).
120.
Thomson, B., Fowle, F., Stevenson, L., & National Galleries of Scotland. Gauguin’s vision. (Trustees of the National Galleries of Scotland, 2005).
121.
Thomson, B. Gauguin. vol. World of art (Thames and Hudson, 1987).
122.
Thomson, B., Garb, T., Tate Modern (Gallery), & National Gallery of Art (U.S.). Gauguin: maker of myth. (Tate, 2010).
123.
Druick, D. W., Zegers, P., Salvesen, B., Art Institute of Chicago, & Van Gogh Museum, Amsterdam. Van Gogh and Gauguin: the studio of the south. (Thames & Hudson, 2001).
124.
Clark, T. J. The painting of modern life: Paris in the art of Manet and his followers. (Thames & Hudson, 1999).
125.
Herbert, Robert L. Impressionism: art, leisure, and Parisian society. (Yale U.P., 1988).
126.
Nochlin, Linda. Realism. vol. Style and civilization (Penguin, 1971).
127.
Thomson, Belinda. Impressionism: origins, practice, reception. vol. World of art (Thames & Hudson, 2000).
128.
Wood, P. ‘Realism & Realities’. in Realism, rationalism, surrealism: art between the wars vol. Modern art. Practices and debates 251–332 (Yale University Press, in association with the Open University, 1993).
129.
Harrison, Charles & Wood, Paul. Picasso, ‘Why I Joined the Communist Party,’ Harrison and Wood, Art in Theory, 1900-2000: an anthology of changing ideas. in Art in theory, 1900-2000: an anthology of changing ideas 648–649 (Blackwell Publishers, 2003).
130.
Harrison, Charles, Wood, Paul, & Gaiger, Jason. Picasso, statement to Simone Téry, Harrison and Wood, Art in Theory 1900-2000: an anthology of changing ideas. in Art in theory, 1815-1900: an anthology of changing ideas 648–649 (Blackwell, 1998).
131.
Prendeville, Brendan. Realism in 20th century painting. vol. World of art (Thames & Hudson, 2000).
132.
Berger, John. Success and failure of Picasso. (Granta, in association with Penguin, 1992).
133.
Richardson, John & McCully, Marilyn. A life of Picasso. (Pimlico, 1992).
134.
Arnheim, R. Picasso’s Guernica; the genesis of a painting. (Faber & Faber).
135.
Blunt, Anthony. Picasso’s ‘Guernica’. vol. The Whidden lectures (Oxford U.P., 1969).
136.
Cowling, Elizabeth. Picasso: style and meaning. (Phaidon, 2002).
137.
Fisch, Eberhard & Picasso, Pablo. Guernica by Picasso: a study of the picture and its contexts. (Bucknell University Press, 1988).
138.
Van Hensbergen, Gijs. Guernica: the biography of a twentieth-century icon. (Bloomsbury, 2005).
139.
Daix, Pierre. Picasso:life and art. (Thames and Hudson, 1993).
140.
Hilton, Timothy. Picasso. vol. World of art (Thames and Hudson, 1975).
141.
Foster, Hal. Art since 1900: modernism, antimodernism, postmodernism. (Thames & Hudson, 2004).